Author Index


Author Type Title Volume
Agmon, Eytan Article The Descending Fourth and its Symbolic Significance in Don Giovanni 4.2
Agmon, Eytan Article A Moment of Suspense in the SecondFinale of Don Giovanni 16
Almén, Byron Article Modes of Analysis 31
Alpern, Wayne Article Aggregation, Assassination, and an “Act of God”: The Impact of the Murder of Archduke Ferdinand Upon Webern’s Op. 7 No. 3 21
Anson-Cartwright, Mark Article Concepts of Closure in Tonal Music: A Critical Study 32
Antokoletz, Elliott Analytical Essay From Bartók to Perle: A New Concept of Tonality and Means of Progressions as Shown in No. 5 of George Perle’s Thirteen Dickinson Songs 33
Arndt, Matthew Article Schoenberg on Problems; or, Why the Six-Three Chord is Dissonant 37–38
Arndt, Matthew Article Toward a Renovation of Motivic Analysis: Corrupt Organicism in Berg’s Piano Sonata, Op. 1 42
Auerbach, Brent Article Tchaikovsky’s Triumphant Repetitions: Block Composition as a Key to Dynamic Form in the Symphonies Nos. 2 and 3 37–38
Auner, Joseph Review William Thomson, Schoenberg’s Error (Philadelphia: U. Pennsylvania Press, 1991) 17
Baker, Ben Article A Cyclic Approach to Harmony in Robert Glasper’s Music 44
Baker, James M. Report New England Conference of Music Theorists 11
Baker, Michael Article A Case for Interruption at Scale Degree ^3 35
Bakulina, Ellen Article The Loosening of Closure: A Form-Functional Study of Sergei Rachmaninoff’s Solo Songs 45
Barrettara, Danielle Bastone Article Mozart’s Osmin and the Phrasing of Discomposure 47–48
Beach, David Analysis Chopin’s Mazurka, op. 17, no. 4 2.3
Beardslee, Bethany Personal Statement George Perle 33
Belcher, Owen Article Caroline Shaw’s Musical Portraits 45
Benjamin, William Article Schenker’s Theory and Virgil’s Construction of the World 24
Bernard, Jonathan and William Rothstein Review Three Essays from Music Theory: Special Topics, edited by Richmond Browne (New York: Academic Press, 1981) 8.1
Bernstein, David and Christopher Hatch Review Aspects of Schenkerian Theory, edited by David Beach (New Haven: Yale U. Press, 1983) 9
Bernstein, Leonard Personal Statement George Perle 33
Bernstein, Zachary Report Hearing, Studying, and Remembering Milton Babbitt at the CUNY Graduate Center 37–38
Bernstein, Zachary Article Is the Twelve-Tone System Inherently Organicist? Some Reflections on Conflicting Perspectives, with Notes on Analysis 42
Berry, David Carson Article Gambling with Chromaticism? Extra-Diatonic Melodic Expression in the Songs of Irving Berlin 26
Berry, David Carson Article Schenkerian Analysis and Anglo-American Music Criticism in the 1930s: A Quest for “Objectivity” and a Path Toward Disciplinary Music Theory 41
Berry, Michael Essay Make Sure Your Own Mask Is Secure before Assisting Others: Contingent Faculty as Care Worker 46
Biamonte, Nicole Review Jeremy Day-O’Connell, Pentatonicism from the Eighteenth Century to Debussy (Rochester, NY: University of Rochester Press, 2007) 37–38
Birson, Adem Merter Essay Stifling Sameness: Hardships of Immigration, Parenthood, and Being Non-White Contingent Faculty 46
Blaustein, Susan Review Charles Rosen, Sonata Forms (New York: W. W. Norton, 1980) 7.2
Bolcom, William Personal Statement George Perle 33
Bohlen, Donald Letter A Letter from the Editor 1
Botstein, Leon Personal Statement George Perle 33
Bouliane, Denys (Re)Transitions Ligeti’s Six Études pour Piano: The Fine Art of Composing Using Cultural Referents, trans. Anouk Lang: Introduction and English text 31
Boyd, Clifton Article Race, Retention, and Identity-Based Service in Music Theory 46
Braunschweig, Karl Review Essay Joel Lester, Bach’s Works for Solo Violin: Style, Structure, Performance (New York and Oxford: Oxford U. Press, 1999) and Laurence Dreyfus, Bach and the Patterns of Invention (Cambridge, Mass. and London: Harvard U. Press, 1996) 26
Braunschweig, Karl Article Expanded Dissonance in the Music of J. S. Bach 28
Braus, Ira Article Poetic-Musical Rhetoric in Brahms’ Auf dem Kirchhof, Op. 105, No. 4 13
Braverman, Saul News Obituary: Justine Shircliff 5.2
Broder, Nathan Article-Review Charting Musical Intuition: Lerdahl and Jackendoff’s Cognitive Theory of Tonal Music 9
Broder, Nathan and Arthur Waldeck Article Musical Analysis as Expounded by Heinrich Schenker 10
Brooks, Richard Review Gerald Warfield, Layer Analysis: A Primer of Elementary Tonal A Structures (New York: David McKay Co., Inc., 1976) 2.2
Brooks, Richard News New Books and Periodicals 3.2
Brooks, Richard News New Books and Periodicals 4.2
Brower, Candace Article Pathway, Blockage, and Containment in Density 21.5 22–23
Brown, Matthew Review Review of John Rothgeb, Beethoven: The Last Piano Sonatas: Edited, with Analytic Commentary, by Heinrich Schenker 41
Brown, William Theophilus Personal Statement George Perle 33
Browne, Richmond Report First National Conference on Music Theory (reprint from the American Society of University Composers Newsletter, vol. 9, no. 2) 2.2
Brumbeloe, Joseph Article Patterns and Performance Choices in Selected Perpetual-Motion Movements of J. S. Bach 25
Burkhart, Charles Article How Rhythm Tells The Story in Là ci darem la mano 16
Burstein, L. Poundie Article A New View of Tristan: Tonal Unity in the Prelude and Conclusion to Act 8.1
Burstein, L. Poundie Response More on Tristan 9
Burstein, L. Poundie Review The Book of The Musical Artwork: An Interpretation of the Musical Theories of Heinrich Schenker by Felix-Eberhard von Cube, trans., with afterword, by David Neumeyer, George R. Boyd, and Scott Harris (Lewiston/Queenston: The Edward Mellon Press, 1988) 16
Burstein, L. Poundie Article Devil’s Castles and Schubert’s Strange Tonic Allusion 27
Byros, Vasili Article Competing “Windows of Order”: The Dialectics of System-Construction and Withdrawal in Berg’s Sonata for Piano, Op. 1 33
Carpenter, Patricia Analysis Symposium A Problem in Organic Form: Schoenberg’s Tonal Body 13
Carpenter, Patricia Article The Piano Music of Arnold Schoenberg 30
Cadwallader, Allan Article Motivic Unity and Integration of Structural Levels in Brahm’s B Minor Intermezzo, Op. 119, No. 1 8.2
Cadwallader, Allan Analysis Symposium Echoes and Recollections: Brahms’s Op. 76, No. 6 13
Capuzzo, Guy Article Lewin’s Q Operations in Carter’s Scrivo in Vento 27
Callahan, Michael Analytical Essay Mapping Sum-and-Difference Space: Parallels Between Perle and Lewin 33
Carey, Norman Article An Improbably Intertwining: An Analysis of Schumann’s Kreisleriana I and II, with Recommendations for Piano Practice 32
Carter, Elliott Personal Statement   33
Cherlin, Michael Article-Review Why We Got into Analysis and What to Get Out of It 11
Cherlin, Michael Article Hauptmann and Schenker: Two Adaptations of Hegelian Dialectic 13
Christensen, Thomas Article-Review Pieter C. van den Toorn, The Music of Igor Stravinsky (New Haven: Yale University Press, 1983) 8.2
Cinnamon, Howard Article Tonal Elements and Unfolding Nontriadic Harmonies in the Second of Schoenberg’s Drei Klavierstücke, Opus 11 18
Code, David Løberg Article [not equal]: Feminism, Tuning, and Theory Pedagogy 20
Collier, Michael Article The Rondo Movements of Beethoven’s Concerto No. 3 in C Minor, Op. 37 and Brahms’s Concerto No. 1 in D Minor, Op. 15: A Comparative Analysis 3.1
Conner, Ted Article Cherubino Rediscovered: Text, Music, and Narrative in Mozart’s Trio 25
Cook, Nicholas Article Heinrich Schenker, Modernist: Detail, Difference, and Analysis 24
Cory, Eleanor Review George Perle: Twelve-Tone Tonality (Berkeley: U. California Press, 1977) 4.1
Cory, Eleanor Review Milton Babbitt, Words about Music. Edited Joseph N. Straus and Stephen Demski (Madison: U. Wisconsin Press, 1987) 12
Covach, John R. Article Schoenberg and the Occult: Some Reflections on the Musical Idea 17
Covach, John R. Article Schoenberg’s (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism 42
Cross, Charlotte M. (Re)Transitions Two Undated Manuscripts from Schoenberg’s Gedanke Project: Commentary, Editorial and Translation Policies, Transcriptions and Translations 32
Cutler, Timothy Article From Motive to Structure: Chromatic Cohesiveness in the First Movement of Beethoven’s Violin Concerto, Op. 61 39
Dale, Frank Knight Article Heinrich Schenker and Musical Form (1943) 10
Davidian, Teresa Article Intervallic Oricess and Autonomy in the First Movement of Debussy’s Sonata for Cello and Piano 14-15
Demski, Stephen Article-Review The Context of Composition: The Reception of Robert Morris’s Theory of Compositional Design 14-15
DeVoto, Mark and George Perle Analytical Essay George Perle on the Subtleties of Inversional Complementarily: A Note by Mark DeVoto and George Perle 33
Dibner, Steven Personal Statement   33
Dineen, Murray Report Symposium on Music Theory in Canada Today 11
Dineen, Murray Article From the Gerald Strang Bequest at the Arnold Schoenberg Institute: Documents of a Teaching 18
Dineen, Murray Article The Tonal Problem as a Method of Analysis. In memoriam Patricia Carpenter 30
Dodson, Alan (Re)Transitions Oswald Jonas: Heinrich Schenker and Great Performers, Translated with an Introduction 28
Dragone, Luann R. Review Sightsinging Complete, 5th ed by Bruce Benward and Maureen Carr (Dubuque, Iowa: Wm. C. Brown, 1991); Foundations of Music and Musicianship by David Damschroeder (New York: Schirmer, 1992) 19
Duguay, Michèle Article Physical Balance, Gravity, and Tension in Contemporary Piano Works 44
Dutilleux, Henri Personal Statement For George Perle 33
Escot, Pozzi Analysis Webern’s opus 25, No. 1: Perception of Large-Scale Patterns 4.1
Everett, Walter Article Voice Leading, Register, and Self-Discipline in Mozart’s Die Zauberflöte 16
Everett, Walter Review-Essay An Update on the Current State of Schenkerian Research: Volumes Edited by Hedi Siegel and by Allen Cadwallader 19
Ewell, Philip Review Michiel Schuijer, Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (U. Rochester Press, 2008) 37–38
Ferri, John Review Carl Schachter and Hedi Siegel, ed. Schenker Studies 2 (Cambridge: Cambridge U. Press, 1999) 27
Fieldman, Hali Review Rachel Lumsden and Jeffrey Swinkin, eds. The Norton Guide to Teaching Music Theory (New York: W.W. Norton, 2018) 43
Fisher, George Review Michael L. Friedmann, Ear Training for Twentieth-Century Music (New Haven: Yale University Press, 1990 14–15
Fisher, George Article Devil’s Castles and Schubert’s Strange Tonic Allusions 27
Foley, Gretchen Article Sum Squares and Pentagrams: Two New Tools for Perlean Analysis 32
Foley, Gretchen and Susan Levine Analytical Essay Choreographing Perle: An Inter-Disciplinary interpretation of Perle’s String Quartet No. 5 33
Franck, Peter Article Reaching Over and Its Interaction with Invertible counterpoint at the Tenth 36
Friedmann, Michael Article Schoenberg’s Waltz, Op. 23, No. 5: Multiple Mappings in Form and Row 18
Fromon, Michèle Article-Review Cadential Structure in the Mid-Sixteenth Century: The Analytic Approaches of Bernhard Meier and Karol Berger Compared 16
Gable, David Review John Rahn, Basic Atonal Theory (New York: Longman, 1980) 6.1
Gagné, David Review David Beach, Aspects of Unity in J. S. Bach’s Partitas and Suites: An Analytical Study, (Rochester, NY: U. Rochester Press,2005) 32
Garrison, Rodney Article Unrolling Schenker’s Ideas of Musical “Unfolding” 37–38
Gauldin, Robert Article A Pedagogical Introduction to Set Theory 3.2
Gauldin, Robert Article The Composition of Late Renaissance Stretto Canons 21
Gauldin, Robert Article “Quaerendo Invenietis”: Patrick Gowers’s Sherlockian Puzzle 39
Givan, Benjamin Article Swing Improvisation: A Schenkerian Perspective 35
Goldenberg, Yosef Article “Negative Texture” and the Prolongation of Seventh Chords 29
Goldman, David P. Article A New Look at Zarlino’s Theory and Its Effect on His Counterpoint Doctrine 16
Gollin, Edward Article Transformational Techniques in Bartók’s Etude Op. 18, No. 2, pp. 13–30 20
Grave, Floyd K. Review R. Larry Todd, Mendelssohn’s Musical Education: A Study and Edition of his Exercises in Composition (Cambridge: Cambridge U. Press, 1983) 8.2
Graybill, Roger Article Intervallic Transformation and Closure in the Music of Stravinsky 14-15
Greer, Taylor Article-Review Music Theory: Anatomy of a Discipline. Nicholas Cook, A Guide to Musical Analysis (New York: George Braziller. 1987); Jonathan Dunsby and Arnold Whittall, Music Analysis in Theory and Practice New Haven: Yale U. Press, 1988); Ian Bent, Analysis (New York: W. W. Norton & Co., 1987) 1 3
Greer, Taylor Article Modal Sensibility in Gabriel Fauré’s Harmonic Language 16
Grissom-Broughton, Paula Essay (Re)Visioning Race and Gender in Music Theory and Composition: The Role of Music Educators 46
Grosman, Alan Article Canonic Patterns: Reframing the Puzzle 34
Gross, Austin Review Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014) 40
Guerrero, Jeannie Article Multidimensional Counterpoint and Social Subversion in Luigi Nono’s Choral Works 28
Gustin, Daniel R. Personal Statement   33
Hall, Patricia Analytical Essay Berg’s Büchner Text and the Genesis of Form 33
Hall, Patricia Essay Navigating Academia, Single Parenthood, and First-Gen Experiences 46
Hannaford, Marc E. Article Fugitive Music Theory and George Russell’s Theory of Tonal Gravity 46
Hanninen, Dora A. Article The Variety of Order Relations in Webern’s Music: Studies of Passages from the Quartet Op. 22 and the Variations Op. 30 20
Hanninen, Dora A. Review-Essay Andrew Mead, An Introduction to the Music of Milton Babbitt (Princeton: Princeton University Press, 1994) 22-23
Hanson, John R. News A Letter from the President 1
Hanson, John R. Article Ear Training: A Method for Obtaining Specific Information from Contextual Dictation 2.2
Hanson, John R. Aural Perception Questionnaire: Sight-Singing Procedures 3.1
Hanson, John R. Article Pedagogy of Sixteenth-Century Counterpoint: Selected Examples with Commentary 4.1
Hanson, John R. Review Edward Aldwell and Carl Schachter, Harmony and Voice Leading, Workbook, Volume 1(New York” Harcourt Brace Jovanovich, 1978) 5.2
Hanson, John R. Article The Chorale Prelude: Logic Pedagogic? 6.1
Hanson, John R. Article Enumeration of Dissonance in the Five-Voice Masses of Palestrina 9
Harcus, Aaron Review Mariusz Kozak, Enacting Musical Time: The Bodily Experience of New Music (New York: Oxford University Press, 2020) 45
Hardman, Kristi Essay Review of Hungry Listening: Resonant Theory for Indigenous Sound Studies, by Dylan Robinson 46
Harrison, Daniel Review First Thoughts about the Second Practice.The Second Practice of Nineteenth-Century Tonality, Edited by William Kinderman and Harald Krebs (Lincoln: University of Nebraska Press, 1996) 22-23
Hartley, Walter S. Review A Reply to a Review of Layer Analysis 2.3
Hartt, Jared Article Tonal and Structural Implications of Isorhythmic Design in Guillaume de Machaut’s Tenors 35
Hatch, Christopher and David Bernstein Review Aspects of Schenkerian Theory edited by David Beach (New Haven: Yale U. Press, 1983) 9
Hatch, Christopher Review Richard Wagner, Prelude and Transfiguration from Tristan and Isolde (Norton Critical Score), edited by Robert Bailey 11
Hatten, Robert S. Article Interpreting Expression: the Adagio from the Hammerklavier 19
Hays, William L. Analysis Symposium On Voice-Leading and Syntax in the “Cadenza Finala” from Stravinsky’s Sérénade en la 12
Hayes, Eileen M. Foreword “Where There Is Institutional Will, There Is A Way”: Diversity and Faculty of Color in Music 46
Headlam, David Review David Epstein, Shaping Time: Music, The Brain, and Performance (New York: Schirmer Books, 1995) 20
Headlam, David   Introduction 33
Heetderks, David Article From uncanny to marvelous: Poulenc’s hexatonic pole 40
Heneghan, Áine Article Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy 43
Hermann, Richard Analysis Symposium Thoughts on Voice-Leading and Set Theory in “Neo-Tonal” Works: the “Hymne” from Stravinsky’s Sérénade en la 12
Hier, David Article Imagining an Autochthonous Music: The First Movement of W. G. Still’s Fourth Symphony 47–48
Hisama, Ellie M. and Rachel Lumsden Guest Editors’ Note Diversifying Music Theory: From Theory to Practice 46
Holland, Mark Article Schubert’s Moment Musical in F Minor, Op, 94, No. 3: An Analysis 7.2
Hooper, Jason Article Heinrich Schenker’s Early Conception of Form 36
Hough, Philip Article The Tonal Structure of Bartók’s Autumn Tears, Opus 16, No. 1 3.2
Hubbs, Nadien Article Schenker’s Organicism 16
Huget, Joan Article Schenkerian Interruption and Beethoven’s Sonata-Rondo Form 40
Hunt, Graham G. Review James Hepokoski and Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata,(New York: Oxford U. Press, 2006) 32
Hutchinson, Kyle Article Chasing a Chimera: Challenging the Myths of Augmented-Sixth Chords 45
Hutchinson, Kyle Article From a Certain Point of View: Learning to Hear Consonance as Dissonance in Late Nineteenth-Century Tonality 45
Inman, Samantha Article The Inner and Outer Form of Haydn’s Monothematic Sonatas 41
Inman, Samantha M. Article Form, Tonality, and Influence in Eric Ewazen’s Sonata No. 1 for Flute and Piano 47–48
Jackson, Timothy L. Article Schoenberg’s Op. 14 Songs: Textual Sources and Analytical Perception 14-15
Jackson, Timothy L. Review Alexander Ringer, Arnold Schoenberg, the Composer as Jew (Oxford: The Clarendon Press, 1990) 18
Jakubowski, Joseph R. Review Daphne Leong, Performing Knowledge: Twentieth-Century Music in Analysis and Performance (New York: Oxford University Press, 2019) 45
Jarman, Douglas Personal Statement   33
Jenkins, J. Daniel Article Schoenberg’s Concept of ruhende Bewegung 34
Johnson, Mark L. Article Embodied Musical Meaning 22-23
Jonas, Oswald (Re)Transitions Heinrich Schenker and Great Performers. Translated with an Introduction by Alan Dodson 28
Julien, Patricia Article “Sakeena’s Vision”: The Trifocal Organization of Harmonic Relations in One of Wayne Shorter’s Early Composition 34
Kaminsky, Peter Article How to Do Things With Words and Music: Towards an Analysis of Selected Ensembles in Mozart’s Don Giovanni 21
Kaplan, Richard A. Article Tonality as Mannerism: Structure and Syntax in Richard Strauss’s Orchestral Song “Frühling” 19
Kamien, Roger Article The Menuetto from Mozart’s Eine Kleine Nachtmusik, K. 525: An Analytical Study 7.1
Karchin, Louis Article Pitch Centricity as an Organizing Principle in Speculum Speculi of Charles Wuorinen 14–15
Katz, Adele Article Heinrich


Schenker’s Method of Analysis (1935)

Keathley, Elizabeth L. Article Schoenberg’s Op. 16/IV: An Examination of the Sketches 17
Kielian-Gilbert, Marianne Analysis Symposium Patterns of Repetition in the “Hymne” of Stravinsky’s Sérénade en la: The Rhythmic Modeling of Musical Ideas 12
Kim, Catrina Article Issues in Teaching Music Theory Ethically: Reframing University Directives of Antiracist and Decolonized Curricula 46
Kirkegaard-Larsen, Thomas Jul Article Transformational Attitudes in Scandinavian Function Theories 43
Kleppinger, Stanley V. Article Reconsidering Pitch Centricity 36
Koivisto, Tiina Article Musical Continuities in Schoenberg’s Variations for Orchestra Op. 30, 20
Koivisto, Tiina Article Multilayered Rhythms, Meter, and notated Meter: Temporal Processes in Elliott Carter’s Second String Quartet 34
Koslovsky, John Article Tonal Prolongations in Bartók’s Hungarian Folktunes for Violin and Piano 37–38
Kosovsky, Robert Article Ernst Oster, On the Meaning of the Long Appoggiatura, translation 7.1
Kraus, Joseph Review Charles Fisk, Returning Cycles: Contexts for the Interpretation of Schubert’s Impromptus and Last Sonatas (Berkeley, Los Angeles and London: U. of California Press, 2001) 27
Kraus, Joseph Review Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory (Oxford, 2016) 42
Kresky, Jeffrey Article Some Unusual Tonic Six-Fours 32
Krumbholz, Gerald A. Review A. B. Marx, Musical Form in the Age of Beethoven: Selected Writings on Theory and Method. Edited and translated by Scott Burnham (Cambridge: Cambridge University Press, 1997) 24
Kurth, Richard Review-Essay Schoenberg’s Notes on “Coherence”: Theory or Prolegomena to the Twelve-Tone Method? 20
Kurth, Richard Article Dis-Regarding Schoenberg’s Twelve-Tone Rows: An Alternative Approach to Listening and Analysis for Twelve-Tone Music 21
Laitz, Steven Article The Submediant Complex: Its Musical and Poetic Roles in Schubert’s Songs 21
Lambert, J. Philip Review Joel Lester, Analytical Approaches to Twentieth-Century Music (New York: W. W. Norton & Co., 1989 14-15
Lang, Anouk (Re)Transitions Ligeti’s Six Études pour Piano: The Fine Art of Composing Using Cultural Referents, trans. Anouk Lang. Introduction, English translation. 31
Lansky, Paul Personal Statement Lessons with George Perle 33
Larson, Steve Article Musical Forces and Melodic Patterns 22-23
Laskowski, Larry Article Context and Voice Leading: Influences on Thematic and Tonal Structure 4.1
Laskowski, Larry Response Symmetrical Design and Its Relationship to Voice Leading 5.1
Leong, Daphne Article Metric Conflict in the First Movement of Bartók’s Sonata for Two Pianos and Percussion 24
Leong, Daphne Article Generalizing Syncopation: Contour, Duration, and Weight 36
Levin, Susan and Gretchen Foley Article Choreographing Perle: An Inter-Disciplinary interpretation of Perle’s String Quartet No. 5 33
Lewin, David Communication On Extended Z-Triples 7.1
Lewin, David Communication An Example of Serial Technique in Early Webern 7.1
Lewin, Harold F. Article Some Basic Concepts for Determining the Combinational Properties of Twelve-Tone Set Segments, Part I 3.1
Lewin, Harold F. Article Schoenberg’s Pierrot Lunaire: The Rhythmic Relation between Sprechstimme and Instrumental Writing in “Eine blasse Wäscherin,” 5.1
Lewin, Harold F. Analysis A Graphic Analysis of Béla Bartók’s “Major Seconds Broken and Together,” Mikrokosmos, Vol. V, No. 132 6.2
Lochhead, Judy Article Musical Reference: A Source of Meaning in the First Movement of the “Eroica” 5.2
Lochhead, Judy Article Phenomenological Approaches to the Analysis of Music 11
Lochhead, Judy Article The Metaphor of Musical Motion: Is There An Alternative 14–15
Lochhead, Judy and George Fisher Article Analyzing from the Body 27
Lofthouse, Charity Article Dialogues and Dialectics: Rotation and Sonata Form in Shostakovich’s Symphonies 41
Luong, Vivian and Taylor Myers Article Reframing Musical Genius: Toward a Queer, Intersectional Approach 46
MacKay, James S Article Musical Proportion and Formal Function in Classical Sonata Form: Three Case Studies From Late Haydn and Early Beethoven 29
MacKay, James S. Article Exploring the IAC as Terminal Cadence: Melodic Deferral and Cadential Function in Classical Sonata-Form Movements 47–48
Maisel, Arthur Article The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic 6.1
Maisel, Arthur Response Tristan: A Different Perspective 8.2
Maisel, Arthur and Hedi Siegel Article Heinrich Schenker: Graphic Analysis of Brahm’s Auf dem Kirchhofe, Op. 105, No. 4 13
Su Yin Mak Article Felix Salzer’s “Sonata Form in Franz Schubert” (1928): An English Translation and Edition with Critical Commentary 40
Marlowe, Sarah Article Tonal Answers and Their Role Within Fugal Expositions: Two Revised Paradigms 39
Martinkus, Caitlin Review Review-Article of Journeys Through Galant Expositions, by L. Poundie Burstein and How Sonata Forms: A Bottom-Up Approach to Musical Form, by Yoel Greenberg 47–48
Marvin, Elizabeth West and Robert Wason Article On Preparing Anton Webern’s Early Songs for Performance: A Collaborators’ Dialogue 20
Marvin, Elizabeth West Review Deborah Stein, ed., Engaging Music: Essays in Music Analysis, (New York: Oxford U. Press, 2005) 31
Marvin, William Report The Fifth International Schenker Symposium, March 15–17, 2013 37–38
Martin, Henry Article Expanding Jazz Tonality: John Coltrane’s Compositions 37–38
Martin, Louis Response Solmization: Getting the Facts Straight 3.2
Martin, Nathan John Review Pieter Bergé, ed., Beethoven’s “Tempest” Sonata: Perspectives of Analysis and Performance, Leuven Studies in Musicology, vol. 2 (Leuven: Peeters, 2009) 35
Martins, José António Article Stravinsky’s Discontinuities, Harmonic Practice, and the Guidonian Space in the “Hymne” from Serenade in A 31
Maxile Jr., Horace J. Essay Ponderings and Perspectives (Around and About the Field) 46
McConville, Brendan Article A”Simple Composition” of Charles Wuorinen: Isomorphism, Self-Similarity, and Nesting in Cello Variations 36
McKee, Eric Article Alternative Meanings in the First Movement of Beethoven’s String Quartet in E-flat Major, Op. 127: Emergence and Growth from Stagnation and Decline 24
McKee, Eric Article Extended Anacruses in Mozart’s Instrumental Music 29
McKee, Eric Article On the Death of Mahler: Schoenberg’s op. 19, no. 6 30
McKinney, Bruce Article Relevance and Species Counterpoint: A Traditionalist Viewpoint 2.1
McKinney, Bruce Article Further Reflections on Autumn Tears 4.1
McKinney, Bruce Response The Case Against Tonal Unity in Tristan 8.2
McClelland, Ryan Article Brahms’s Capriccio in C Major, Op. 76, No. 8: Ambiguity, Conflict, Musical Meaning, and Performance 29
McClelland, Ryan Review Peter Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet (Bloomington: Indiana U. Press, 2005) 31
McCreless, Patrick, Robert Pascall, and Phyllis Weliver Review Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003) 29
Mead, Andrew Article “The Key to the Treasure…” 18
Mead, Andrew Article Shedding Scales: Understanding Intervals in Different Musical Contexts 22–23
Mead, Andrew Review Jonathan W. Bernard, ed. Elliott Carter: Collected Essays and Lectures 1937–1995 (Rochester: U. Rochester Press, 1997) 27
Metz, Paul Article The Clock Diagram: An Effective Visual Tool in Set Theory Pedagogy 14-15
Miller, Patrick Report Symposium on the Life and Music of Heinrich Schenker 11
Minturn, Neil Review Concert Music, Rock, and Jazz Since 1945: Essays and Analytical Studies, edited by Elizabeth West Marvin and Richard Hermann (Rochester, NY: U. Rochester Press, 1995 21
Mitchell, William J. Article Heinrich Schenker’s Approach to Detail (1946) 10
Miyake, Jan Article Readdressing Haydn’s Formal Models: Common Paths Through Expositions 34
Morris, Robert D. Review Charles Wuorinen: Simple Composition (New York: Schirmer Books, 1979) 5.1
Morris, Robert D. Article Modes of Coherence and Continuity in Schoenberg’s Piano Piece, Op. 23, No. 1 17
Morris, Robert D. Article Some Musical Applications of Minimal Graph Cycles 35
Moseley, Brian Article Sense, Structure, and Webern’s Mysterious Modernism 42
Multer, Walt Article Solmization and Musical Perception 3.1
Murphy, Scott Article S as a Latter-Day H: Mortally Liminal SLIDEs in Recent Popular Film and Television 44
Mutch, Caleb Article The Formal Function of Fortspinnung 43
Neff, Severine Article Aspects of Grundgestalt in Schoenberg’s First String Quartet, op. 7 9
Ng, Samuel Article The Hemiolic Cycle and Metric Dissonance in the First Movement of Brahms’s Cello Sonata in F Major, Op. 99 31
Nuss, Steven Article Western Instruments, Japanese Music: Issues of Texture and Harmony in Minoru Miki’s Jo no kyoku 21
O’Hara, William Review Review of The Cambridge Companion to Video Game Music, edited by Melanie Fritsch and Tim Summers 47–48
Oster, Ernst Article On the Meaning of the Long Appoggiatura, trans. Robert Kosovsky 7.1
Ostrander, Arthur Review Charles Walton, Basic Forms in Music (New York: Alfred, 1974) 1
Pace, Cynthia Article Accent on Form-Against-Form: Ruth Crawford’s Piano Study in Mixed Accents 20
Parkhurst, Bryan Article Formal Arguments and Symbolic Gestures: Thoughts on Langer and Adorno, with a Postscript on Marxism 42
Parsons, Laurel Article Time Management with “Twelve-Tone Lizzie”: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama The Numbered 30
Robert Pascall, Phyllis Weliver, and Patrick McCreless Review Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003) 29
Pastille, William Article Music and Life: Some Lessons 24
Pau, Andrew Article Plagal Systems in the Songs of Fauré and Duparc 41
Payne, Dorothy Article Aural Apprehension: Harmony 2.3
Peles, Stephen Article Continuity, Reference, and Implication: Remarks on Schoenberg’s Proverbial “Difficulty” 17
Perle, George and Mark DeVoto Article George Perle on the Subtleties of Inversional Complementarily: A Note by Mark DeVoto and George Perle 33
Perle, George Finale Improvisation 33
Peterson, Keith Review Leo Kraft, Gradus: An Integrated Approach to Harmony, Counterpoint, and Analysis (New York: W.W. Norton, 1976) 2.3
Petty, Wayne Article Cyclic Integration in Haydn’s E-flat Piano Sonata Hob. XVI:38 19
Pfau, Marianne Richert Article The Potential and the Actual: Process Philosophy and Arnold Schoenberg’s Violin Concerto, Op. 3 14–15
Pieslak, Jonathan R. Article Conflicting Analytical Approaches to Late Nineteenth- and Early Twentieth-Century Tonal Music: An Archaeological Examination 31
Pitt, David Personal Statement   33
Plettner, Arthur Article Heinrich Schenker’s Contribution to Theory (1936 10
Porter, Charles Article Interval Cycles in Alban Berg’s String Quartet Opus 3 14–15
Porter, Charles Article Interval Cycles and Unisons in George Perle’s Sonata a Quattro 33
Reale, Haley Beverburg Article Making the Most of an Enharmonic Seam: Pitch Respellings, Semitone Relationships, and Mode Mixture in Fiona Apple’s “Extraordinary Machine” 39
Reed, Alissandra Essay A Guide to Nonviolent Scholarship in Music Theory 46
Remeš, Derek Article J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source 42
Ricci, Adam Article A Classification Scheme for Harmonic Sequences 27
Richards, Mark Article Viennese Classicism and the Sentence Idea: Broadening the Sentence Paradigm 36
Rifkin, Deborah Article Making it Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music 31
Ristow, Gregory Review Diane Urista, The Moving Body in the Aural Skills Classroom: A Eurhythmics Based Approach (Oxford, 2016) 42
Roeder, John Analysis Symposium Formal Functions of Hypermeter in the Dies Irae of Verdi’s Messa da Requiem 19
Rosen, David Analysis Symposium Reprise as Resolution in Verdi’s Messa da Requiem 19
Rosenhaus, Stephen L. Personal Statement An Introduction to George Perle 33
Rothgeb, John Review Eugene Narmour, Beyond Schenkerism. The Need for Alternatives in Music Analysis (Chicago: U. Chicago Press, 1977) 3.2
Rothgeb, John Article Chopin’s C-Minor Nocturne, op. 48, No. 1, First Part: Voice Leading and Motivic Content 5.2
Rothgeb, John and Hedi Siegel, trans. Article Schenker, The Opening of Beethoven Sonata, Op. 111: A Letter 8.1
Rothgeb, John Article Translating Texts on Music Theory: Heinrich Schenker’s Kontrapunkt 9
Rothgeb, John Review Robert Snarrenberg, Schenker’s Interpretive Practice (Cambridge and New York: Cambridge U. Press, 1997) 26
Rothgeb, John Article A Sentence Omitted from the English Translation of Schenker’s Harmonielehre 28
Rothstein, William Review David Epstein, Beyond Orpheus: Studies in Musical Structure (New York: Oxford U. Press, 1987) 6.2
Rothstein, William and Jonathan Bernard Review Three Essays from Music Theory: Special Topics, edited by Richmond Browne 8.1
Salzer, Felix Article The Significance of the Ornaments in Carl Philipp Emanuel Bach’s Keyboard Works, trans. Mark Stevens 11
Sallman, Mark Article Motives and the Motivic Paths of Anton Webern’s Six Bagatelles for String Quartet, Op. 9 28
Samarotto, Frank Article Determinism, Prediction, and Inevitability in Brahms’s Rhapsody in E-flat, op. 119, no. 4 32
Sánchez-Kisielewska, Olga Article Interactions between Topics and Schemata: The Case of the Sacred Romanesca 41
Santa, Matthew Article Chordal Tone Centers in Stravinsky’s Neoclassic Music 22–23
Santa, Matthew Article Nonatonic Systems and the Parsimonious Interpretation of Dominant–Tonic Progressions 28
Saslaw, Janna K. Article Life Forces: Conceptual Structures in Schenker’s Free Composition and Schoenberg’s The Musical Idea 22–23
Saslaw, Janna K. (Re)Transitions Carl Friedrich Weitzmann, The Augmented Triad (1853), trans. Janna Saslaw Introduction with Dual language edition 29
Saslaw, Janna K. and James P. Walsh Article Patricia Carpenter: A Commemoration 30
Saylor, Bruce Composition Bells: In Honor of George Perle 33
Saylor, Bruce and Edward Smaldone Personal Statement George Perle: The Man and the Musician 33
Schachter, Carl Article The Adventures of an F#: Tonal Narration and Exhortation in Donna Anna’s First-Act Recitative and Aria 16
Schachter, Carl Article Elephants, Crocodiles, and Beethoven: Schenker’s Politics and the Pedagogy of Schenkerian Analysis 26
Schenker, Heinrich Article The Opening of Beethoven Sonata, Op. 111: A Letter, trans. John Rothgeb and Hedi Siegel 8.1
Schober, David Analytical Essay Practical Methods for Identifying Perle Arrays 33
Schoenberg, Arnold Article Two Fragments (ca. 1945): 1) Tonality, 2) Form 17
Schoenberg, Arnold Article Four Fragments: The Concept of Form (after 1945), Tonality (after 1945), Warum neue Melodien schwer verständlich sind (1913), Der wichtigste Unterschied zwischen der alten Symphonie von Haydn bis Brahms und der neuen von Bruckner an (c. 1930) 18
Schubert, Peter N. Article A Multidetermined Moment in Milton Babbitt’s “Three Cultivated Choruses” 19
Segal, Christopher Article K-Nets, Inversion, and Gravitational Balance 35
Shanahan, Daniel Review David Huron, Sweet Anticipation: Music and the Psychology of Expectation (Cambridge, MA: MIT Press, 2006); David Temperley, Music and Probability (Cambridge, MA: MIT Press, 2007) 34
Shanahan, Daniel Review Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Bloomington: Indiana University Press, 2012) 39
Shaw, Jennifer Article Rethinking Schoenberg’s Composition of Die Jacobsleiter 18
Sherrill, Paul Moravitz Review Robert O. Gjerdingen, Music in the Galant Style (New York: Oxford University Press, 2007 36
Shircliff, Justin Article Preparing the Undergraduate Musician to Teach Music Theory 4.2
Siegel, Hedi and John Rothgeb, trans Article Heinrich Schenker, The Opening of Beethoven Sonata, Op. 111: A Letter 8.1
Siegel, Hedi and Arthur Maisel Article Heinrich Schenker: Graphic Analysis of Brahm’s Auf dem Kirchhofe, Op. 105, No. 4 13
Siegel, Hedi Article The Making of Theory and Practice: Looking Back at Volumes 1–15 16
Simpson, Reynold Article New Sketches, Old Fragments, and Schoenberg’s Third String Quartet 17
Slottow, Stephen Article Fifths and Semitones: A Ruggles Compositional Model and Its Unfolding 25
Smaldone, Edward and Bruce Saylor Personal Statement George Perle: The Man and the Musician 33
Smith, Peter H. Article Harmonies Heard from Afar: Tonal Pairing, Formal Design, and Cyclical Integration in Schumann’s A-minor Violin Sonata, op. 105 34
Smither, Sean R. Article Flexible Conceptual Maps: A Schema-Based Approach to the Analysis of Jazz Tunes 44
Smyth, David Article The Music of Pierrot Lunaire: An Analytic Approach 5.1
Snyder, John L. Article Schenker and the First Movement of Mozart’s Sonata, K. 545: An Uninterrupted Sonata-Form Movement 16
Solomon, Jason W. Article Theorizing and Analyzing Spatial Gesture: A Case Study of Beethoven’s String Quartet no. 14 in C# Minor, op. 131 44
Soper, Kate Article Orchestration in the Chamber Works of Ruth Crawford Seeger 35
Spencer, Patricia Personal Statement   33
Stern, David Article Tonal Organization in Modal Polyphony 6.2
Stern, David Article A Quotation from Josquin in Schenker’s Free Composition 7.2
Stevens, Mark Review Alfred Blatter, Instrumentation/Orchestration (New York: Longman, 1980) 6.2
Stevens, Mark, trans Article Felix Salzer, The Significance of the Ornaments in Carl Philipp Emanuel Bach’s Keyboard Works 11
Stevenson, Ken Article “A Hit by Varèse”: Idiomatic Syntax in the PC Counterpoint of Three Songs by Chicago 29
Straus, Joseph N. Analysis Symposium The Problem of Coherence in Stravinsky’s Sérénade en la 12
Stoecker, Philip Analytical Essay “Composing with Symmetries”: Perle’s First Bagatelle for Solo Piano 33
Stoecker, Philip Review Miguel A. Roig-Francolí, Understanding Post-Tonal Music and Anthology of Post-Tonal Music (New York: McGraw-Hill Higher Education, 2008) 35
Stoecker, Philip Review Review of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea 41
Surace, Joseph A. Response “Transposable Do” for Teaching Aural Recognition of Diatonic Intervals 3.2
Suurpää, Lauri Article Programmatic Aspects of the Second Sonata of Haydn’s Seven Last Words 24
Swinkin, Jeffrey Article “Breakout” Themes in Classical Sonata Forms 43
Tanenbaum, Faun S. Article The Sarabande of J.S. Bach’s Suite No. 2 for Unaccompanied Violoncello, BWV 1008: Analysis and Interpretation 5.1
Taavola, Kristne Article Paul Dukas’ “Harmonic Variations” Some Thoughts on the Origin of His Harnonic Language 40
Thym, Jurgen Article Text-Music Relationships in Schumann’s “Frühlingsfahrt” 5.2
Traut, Donald G. Article Revisiting Stravinsky’s Concerto 25
Traut, Donald G. Article Displacement and its Role in Schenkerian Theory 26
Turci-Escobar, John Article Softening the Edges: Cadential Attentuation in Gesualdo’s Six Books of Madrigals 32
Vilar-Payá, Luisa Review Silvina Milstein, Arnold Schoenberg: Notes, Sets, Forms (Cambridge: Cambridge U. Press, 1992) 17
Wadsworth, Benjamin Analytical Essay A Model of Dialectical Process in Berg’s Opus 1 Piano Sonata 33
Wagner, Naphtali Article No Crossing Branches? The Overlapping Technique in Schenkerian Analysis 20
Waldeck, Arthur and Nathan Broder Article Musical Analysis as Expounded by Heinrich Schenker (1935) 10
Walsh, James P. and Janna Saslaw Article Patricia Carpenter: A Commemoration 30
Wason, Robert and Elizabeth West Marvin Article On Preparing Anton Webern’s Early Songs for Performance: A Collaborators’ Dialogue 20
Wason, Robert Article Tonality and Centricity in Bartók’s Second Bagatelle and “From the Island Bali” 39
Watts, Catrin Review Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema (New York: Oxford University Press, 2018) 44
Weinstein-Reiman, Michael Article “Inside” Voices and Coupling Dynamics: An Analysis of Clara Wieck-Schumann’s Notturno from Soirées Musicales, Op. 6 No. 2 42
Weisse, Hans Article The Music Teacher’s Dilemma (1935) 10
Weitzmann, Carl Friedrich (Re)Transitions The Augmented Triad (1853), trans. Janna Saslaw Introduction and Dual language edition 29
Weliver, Phyllis, Robert Pascall, and Patrick McCreless Review Symposium Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford U. Press, 2003) 29
Wen, Eric Article Stripped of the G String: Bach’s Air from the Suite No. 3 in D 26
Wick, Norman L. Article Transformations of Middleground Hypermeasures in Selected Mozart Keyboard Sonatas 16
Wiens, Carl Review Joseph N. Straus, Stravinsky’s Late Music (Cambridge: Cambridge U. Press, 2001) 29
Wilcox, Howard and Pozzi Escot Article A Musical Set Theory 4.2
Willner, Channan Article Chromaticism and the Mediant in Four Late Haydn Works 13
Wilson, Paul Article Function and Pitch Hierarchy in Movement II of Bartók’s Fifth Quartet 14–15
Whittall, Arnold Article Theory, History, Analysis: Exploring Contemporary Complexity 37–38
Winders. Christopher Analytical Essay Toward a Structural Ordering Within George Perle’s Twelve-Tone Tonality 33
Winham, Godfrey Article Schoenberg’s Fourth String Quartet: Vertical Order of the Opening 17
Zbikowski, Lawrence M. Article Des Herzraums Abschied: Mark Johnson’s Theory of Embodied Knowledge and Music Theory 22–23