Volumes 1-4 (1975-1979)

Index to Volume 1 (1975)Donald Bohlen , Editor

ARTICLES
News & Announcements
Program	1975 Annual Meeting of MTSNYS, pp. 1–2
John Hanson	A Letter from the President, pp. 3–5
Donald Bohlen	A Letter from the Editor, pp. 8–10
REVIEW
Arthur Ostrander	Basic Forms in Music by Charles Walton, pp. 5–8

Theory and Practice
Index to Volume 2 (1976)Donald Bohlen , Editor

ARTICLES
By-Laws	pp. 1–4
Constitution	[p. 6]
Members 1975–76	pp. 1–3 [pp. 7–9]
Officers	[p. 10]
Bruce McKinney	Relevance and Species Counterpoint: A Traditionalist Viewpoint, pp. 1–8 [10–18]

NEWS AND ANNOUNCEMENTS
Program	1976 Annual Meeting, pp. 1–2
Richmond Browne	Report on the First National Conference on Music Theory (reprint from the American Society of University Composers Newsletter, vol. 9, no. 2), pp. 3–4
ARTICLES
John Hanson	Ear Training: A Method for Obtaining Specific Information from Contextual Dictation, pp. 5–7
BOOK REVIEWS
Richard Brooks	Layer Analysis: A Primer of Elementary Tonal A Structures by Gerald Warfield, pp, 8–9
NEW BOOKS	pp. 10–11 (Complied by Richard Brooks)
CURRENT PERIODICALS IN MUSIC THEORY AND THEORY PEDAGOGY	pp. 12–16 (Complied by Richard Brooks)

NEWS AND ANNOUNCEMENTS
ARTICLES
John Hanson	Aural Perception, pp. 2–4
Dorothy Payne	Aural Apprehension: Harmony, pp. 4–7
BOOK REVIEWS
Keith Peterson	Gradus: An Integrated Approach to Harmony, Counterpoint, and Analysis, pp. 8–10
Walter S. Hartley	A Reply to a Review of Layer Analysis, pp. 10–11
ANALYSIS
David Beach	Chopin’s Mazurka, op. 17, no. 4, pp. 12–17
NEW BOOKS & PERIODICALS	p. 17 (Complied by Richard Brooks)

Theory and Practice
Index to Volume 3 (1978)Hedi Siegel, Editor

NEWS, ANNOUNCEMENTS, REPORTS
Program	Seventh Annual Meeting of MTSNYS, pp. 2–3
ARTICLES
Michael Collier	The Rondo Movements of Beethoven’s Concerto No. 3 in C Minor, Op. 37 and Brahms’s Concerto No. 1 in D Minor, Op. 15: A Compartive Analysis, pp. 5–16
Harold F. Lewin	Some Basic Concepts for Determining the Combinational Properties of Twelve-Tone Set Segments, Part I. pp. 17–28
Walt Multer	Solmization and Musical Perception, pp. 29–51
AURAL PERCEPTION
John Hanson	Questionnaire: Sight-Singing Procedures, pp. 52–4
BOOK REVIEW
Harold F. Lewin	Robert Cogan and Pozzi Escot: Sonic Design. The Nature of Sound and Music, pp. 55–8

No. 2
NEWS, ANNOUNCEMENTS, REPORTS
ARTICLES
Robert Gauldin	A Pedagogical introduction to Set Theory, pp. 3–14
Philip Hough	The Tonal Structure of Bartók’s Autumn Tears, Opus 16, No. 1, pp. 15–20
RESPONSES
Louis Martin	Solmization: Getting the Facts Straight, pp. 21–24
Joseph A.Surace	“Transposable Do” for Teaching Aural Recognition of Diatonic Intervals, pp. 25–27
BOOK REVIEW
John Rothgeb	Eugene Narmour: Beyond Schenkerism. The Need for Alternatives in Music Analysis, pp. 28–42
NEW BOOKS AND PERIODICALS compiled by Richard Brooks	pp. 43–45
MTSNYS MEMBERSHIP LIST, 1977–1978	pp. 46–50

Hedi Siegel, Editor

NEWS, ANNOUNCEMENTS, REPORTS
ARTICLES
John R. Hanson	Pedagogy of Sixteenth-Century Counterpoint: Selected Examples with Commentary, pp. 5–14
Larry Laskowski	Context and Voice Leading: Influences on Thematic and Tonal Structure, pp. 15–24
RESPONSE
Bruce McKinney	Further Reflections on Autumn Tears, pp. 25–7
ANALYSIS
Pozzi Escot	Webern’s opus 25, No. 1: Perception of Large-Scale Patterns, pp. 28–9
BOOK REVIEW
Eleanor Cory	George Perle: Twelve-Tone Tonality, pp. 30–6

No. 2
NEWS, ANNOUNCEMENTS, REPORTS
ARTICLES
Eytan Agmon	The Descending Fourth and its Symbolic Significance in Don Giovanni, pp. 3–11
Justine Shircliff	Preparing the Undergraduate Musician to Teach Music Theory, pp. 12–16
Howard Wilcox and Pozzi Escot	A Musical Set Theory, pp. 17–37
RESPONSE
Robert Gauldin	Further Thoughts on Some Bach Preludes, pp. 38–41
NEW BOOKS AND PERIODICALS Complied by Richard Brooks	pp. 42–4