Volumes 5-15 (1980-1989)

Theory and Practice
Index to Volume 5 (1980)
Hedi Siegel, Editor


 

No. 1

 

NEWS, ANNOUNCEMENTS, REPORTS
ARTICLES
David H. Smyth The Music of Pierrot Lunaire: An Analytic Approach, pp. 5–24
Harold F. Lewin Schoenberg’s Pierrot Lunaire: The Rhythmic Relation between Sprechstimme and Instrumental Writing in “Eine blasse Wäscherin,” pp. 25–39
Faun S. Tanenbaum The Sarabande of J.S. Bach’s Suite No. 2 for Unaccompanied Violoncello, BWV 1008: Analysis and Interpretation, pp. 40–56
RESPONSE
Larry Laskowski Symmetrical Design and Its Relationship to Voice Leading, pp. 57-65
BOOK REVIEW
Robert Morris Charles Wuorinen: Simple Composition, pp. 66–72
 

No. 2

 

NEWS, ANNOUNCEMENTS, REPORTS
Program Tenth Annual Meeting of MTSNYS
Saul Braverman Obituary: Justine Shircliff, pp. 5–6
ARTICLES
Jurgen Thym Text-Music Relationships in Schumann’s “Frühlingsfahrt,” pp. 7–25
John Rothgeb Chopin’s C-Minor Nocturne, op. 48, No. 1, First Part: Voice Leading and Motivic Content, pp. 26–31
Judy Lochhead Musical Reference: A Source of Meaning in the First Movement of the “Eroica,” pp. 32–9
BOOK REVIEW
John Hanson Edward Aldwell and Carl Schachter, Harmony and Voice Leading, Workbook, Volume 1, pp. 40–7
MTSNYS MEMBERSHIP LIST, 1980 pp. 48–52

Theory and Practice
Index to Volume 6 (1981)
Larry Laskowski and Hedi Siegel, Editors


 

No. 1

 

NEWS, ANNOUNCEMENTS, REPORTS
ARTICLES
Arthur Maisel The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic, pp. 3–32
John R. Hanson The Chorale Prelude: Logic Pedagogic?, pp. 33–8
BOOK REVIEW
David Gable John Rahn, Basic Atonal Theory, pp. 39–41
 

No. 2

 

NEWS, ANNOUNCEMENTS, REPORTS
Program Eleventh Annual Meeting of MTSNYS
ARTICLE
David Stern Tonal Organization in Modal Polyphony, pp. 5–39
ANALYSIS
Harold F. Lewin A Graphic Analysis of Béla Bartók’s “Major Seconds Broken and Together,” Mikrokosmos, Vol. V, No. 132, pp. 40–6
BOOK REVIEWS
William Rothstein David Epstein, Beyond Orpheus: Studies in Musical Structure, pp. 47–53
Mark Stevens Alfred Blatter, Instrumentation/Orchestration, pp. 54–9

Theory and Practice
Index to Volume 7 (1982)
Channan Willner, Editor


 

No. 1

 

NEWS, ANNOUNCEMENTS, REPORTS 

ARTICLES

Roger Kamien

The Menuetto from Mozart’s Eine Kleine Nachtmusik, K. 525: An Analytical Study, pp. 3–19

Ernst Oster (trans. Robert Kosovsky)

On the Meaning of the Long Appoggiatura, pp. 20–37

COMMUNICATIONS

David Lewin

On Extended Z-Triples, pp. 38–9

David Lewin

An Example of Serial Technique in Early Webern, pp. 40–3

INDEX

Theory and Practice, Volumes 1–6 (1975–1981), pp. 44–50

No. 2

NEWS, ANNOUNCEMENTS, REPORTS

Program

Twelfth Annual Meeting of MTSNYS

ARTICLES

Mark Holland

Schubert’s Moment Musical in F Minor, Op, 94, No. 3: An Analysis, pp. 5–32

David Stern

A Quotation from Josquin in Schenker’s Free Composition, pp. 33–40

ARTICLE-REVIEW

Susan Blaustein

Charles Rosen. Sonata Forms, pp. 41–60

Theory and Practice
Index to Volume 8 (1983)
Channan Willner, Editor


 

No. 1

 

NEWS, ANNOUNCEMENTS, REPORTS

ARTICLES

Heinrich Schenker (trans. John Rothgeb and Hedi Siegel)

The Opening of Beethoven Sonata, Op. 111: A Letter, pp. 3–14

L. Poundie Burstein

A New View of Tristan: Tonal Unity in the Prelude and Conclusion to Act I, pp. 15–42

REVIEW

Jonathan Bernard and William Rothstein

Three Essays from Music Theory: Special Topics, edited by Richmond Browne, pp. 43–69

MTSNYS MEMBERSHIP LIST, 1983

pp. 70–7

No. 2

NEWS, ANNOUNCEMENTS, REPORTS

Program

Thirteenth Annual Meeting of MTSNYS

ARTICLE

Allen Cadwallader

Motivic Unity and Integration of Structural Levels in Brahm’s B Minor Intermezzo, Op. 119, No. 1, pp. 5–24

ARTICLE-REVIEW

Thomas Christensen

Pieter C. van den Toorn. The Music of Igor Stravinsky, pp. 25–48

REVIEW

Floyd K. Grave

 R. Larry Todd. Mendelssohn’s Musical Education: A Study and Edition of his Exercises in Composition, pp. 49–52

RESPONSES

Arthur Maisel

Tristan: A Different Perspective, pp. 53–61

Bruce McKinney

The Case Against Tonal Unity in Tristan, pp. 62–7

Theory and Practice
Index to Volume 9 (1984)
Channan Willner, Editor


 

NEWS, ANNOUNCEMENTS, REPORTS
Program Fourteenth Annual Meeting of MTSNYS, pp. 3–4
Larry Laskowitz Report: Schenker Symposium, pp. 5–6
ARTICLES
Severine Neff Aspects of Grundgestalt in Schoenberg’s First String Quartet, op. 7, pp. 7–56
John R. Hanson Enumeration of Dissonance in the Five-Voice Masses of Palestrina, pp. 57–70
John Rothgeb Translating Texts on Music Theory: Heinrich Schenker’s Kontrapunkt, pp. 71–6
ARTICLE-REVIEW
Martin Brody Charting Musical Intuition: Lerdahl and Jackendoff’s Cognitive Theory of Tonal Music, pp. 77–118
REVIEW
Christopher Hatch and David Bernstein Aspects of Schenkerian Theory edited by David Beach (New Haven: Yale U. Press, 1983), pp. 119–124
RESPONSE
L. Poundie Burstein More on Tristan, pp. 125–8
MTSNYS MEMBERSHIP LIST pp. 129–37

Theory and Practice
Index to Volume 10 (1985)
Channan Willner, Editor


 

SCHENKERIAN THEORY IN AMERICA
Channan Willner Forward, pp. 3–5
Obituary from New York Times The Late Heinrich Schenker, p. 7
Arthur Plettner Heinrich Schenker’s Contribution to Theory (1936), pp. 9–14
Israel Citkowitz The Role of Heinrich Schenker (1933), pp. 15–22
Frank Knight Dale Heinrich Schenker and Musical Form (1943), pp. 23–24
Hans Weisse The Music Teacher’s Dilemma (1935), pp. 25–48
William J. Mitchell Heinrich Schenker’s Approach to Detail (1946), pp. 49–62
Arthur Waldeck and Nathan Broder Musical Analysis as Expounded by Heinrich Schenker (1935), pp. 63–74
Adele T. Katz Heinrich Schenker’s Method of Analysis (1935), pp. 75–95

Theory and Practice
Index to Volume 11 (1986)
Frank Samarotto, Editor


 

NEWS, ANNOUNCEMENT, REPORTS
Murray Dineen Symposium on Music Theory in Canada Today, pp. 2–3
James M. Baker New England Conference of Music Theorists, p. 4
Patrick Miller Symposium on the Life and Music of Heinrich Schenker, p. 5
Program The Fifteenth Annual Meeting of MTSNYS, pp. 6–8
Judy Lochhead Phenomenological Approaches to the Analysis of Music, pp. 9–13
ARTICLES
Felix Salzer (trans. Mark Stevens) The Significance of the Ornaments in Carl Philipp Emanuel Bach’s Keyboard Works, pp. 15 –42
Esther Cavett-Dunsby Schenker’s Analysis of the Eroica Finale, pp. 43–52
ARTICLE-REVIEW
Michael Cherlin Why We Got into Analysis and What to Get Out of It, pp. 53–74
REVIEW
Christopher Hatch Richard Wagner, Prelude and Transfiguration from Tristan and Isolde (Norton Critical Score), edited by Robert Bailey, pp. 75–86
INDEX Theory and Practice, Volumes 7–10 (1982-85), pp. 87–92

Theory and Practice
Index to Volume 12 (1987)
Frank Samarotto, Editor


 

ANALYSIS SYMPOSIUM
Joseph N. Straus The Problem of Coherence in Stravinsky’s Sérénade en la, pp. 3–10
Marianne Kielian-Gilbert Patterns of Repetition in the “Hymne” of Stravinsky’s Sérénade en la: The Rhythmic Modeling of Musical Ideas, pp. 11–26
Richard Hermann Thoughts on Voice-Leading and Set Theory in “Neo-Tonal” Works: the “Hymne” from Stravinsky’s Sérénade en la, pp. 27–54
William L. Hays On Voice-Leading and Syntax in the “Cadenza Finala” from Stravinsky’s Sérénade en la, pp. 55–66
REVIEW
Eleanor Cory Milton Babbitt, Words about Music. Edited Joseph N. Straus and Stephen Demski (Madison: U. Wisconsin Press, 1987), pp. 67–73

Theory and Practice
Index to Volume 13 (1988)
Frank Samarotto, Editor


 

ARTICLES
Hedi Siegel and Arthur Maisel Heinrich Schenker: Graphic Analysis of Brahm’s Auf dem Kirchhofe, Op. 105, No. 4, pp. 1–14
Ira Braus Poetic-Musical Rhetoric in Brahm’s Auf dem Kirchhof, Op. 105, No. 4, pp. 15–30
Channan Willner Chromaticism and the Mediant in Four Late Haydn Works, pp. 79–114
Michael Cherlin Hauptmann and Schenker: Two Adaptations of Hegelian Dialectics, pp. 115–132
ANALYSIS SYMPOSIUM BRAHM’S OP. 76, NO. 6
Patricia Carpenter A Problem in Organic Form: Schoenberg’s Tonal Body, pp. 31–64
Allen Cadwallader Echoes and Recollections: Brahms’s Op. 76, No. 6, pp. 65–78
ARTICLE-REVIEW
Taylor Greer Music Theory: Anatomy of a Discipline. Nicholas Cook, A Guide to Musical Analysis (New York: George Braziller. 1987); Jonathan Dunsby and Arnold Whittall, Music Analysis in Theory and Practice New Haven: Yale U. Press, 1988); Ian Bent, Analysis (New York: W. W. Norton & Co.,, 1987, pp. 133–150

Theory and Practice
Index to Volumes 14-15 (1989–1990)
Frank Samarotto, Editor


 

ARTICLES
Teresa Davidian Intervallic Oricess and Autonomy in the First Movement of Debussy’s Sonata for Cello and Piano, pp. 1–12
Roger Graybill Intervallic Transformation and Closure in the Music of Stravinsky, pp. 13–34
Timothy L. Jackson Schoenberg’s Op. 14 Songs: Textual Sources and Analytical Perception, pp. 35–58
Louis Karchin Pitch Centricity as an Organizing Principle in Speculum Speculi of Charles Wuorinen, pp. 59–82
Judy Lochhead The Metaphor of Musical Motion: Is There An Alternative, pp. 83–104
Paul W. Metz The Clock Diagram: An Effective Visual Tool in Set Theory Pedagogy, pp. 105–122
Marianne Richert Pfau The Potential and the Actual: Process Philosophy and Arnold Schoenberg’s Violin Concerto, Op. 36, pp. 123–38
Charles Porter Interval Cycles in Alban Berg’s String Quartet Opus 3, pp. 139–78
Paul Wilson Function and Pitch Hierarchy in Movement II of Bartók’s Fifth Quartet, pp. 179–86
ARTICLE-REVIEW
Stephen Dembski The Context of Composition: The Reception of Robert Morris’s Theory of Compositional Design, pp. 187–202
 REVIEWS
George Fisher Michael L. Friedmann, Ear Training for Twentieth-Century Music (New Haven: Yale University Press, 1990), pp. 203–08
J. Philip Lambert Joel Lester, Analytical Approaches to Twentieth-Century Music (New York: W. W. Norton & Co., 1989), pp. 209–15